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Additional Info About t2dscum496 Bio: Animation is the process of creating an illusion of changes in movement-and sizes by rapidly displaying the sequence of static images that are minimally inferior to https://mygirls.me/ each other. Animation most often has hundreds, sometimes thousands of personnel (measured fps, frames per second) depending on the length of the animation. Content 1 quote 2 fred patten, "market" porn "anime" porn ", animation news, (july 1, 1998. ) 3« мультфильмов и философия: широкое удивление »под редакцией джозефа стиффа, тристана д. Тамплина (2010) 4 стивен рейсен, ива катзарска-миллер, кортни н. Планте, шарон э. Робертс, кэтлин с. Herbass, “expertise of the content of anime and associations between anime consumption, genre addictions and ambivalent sexism”, “phoenix tol. 3, no. 1, (august 2017) 5 external links Quotes [edit] - Three of 10 movies in the run for the main kusha at the most important animation festival in ansi in france - which ends on saturday - japanese. -Agency france-presse, “japanese anime industry in crisis, even as global popularity” (june 16, 2019). - Yoshiaki nishimura, the former steam miyazaki, who produced the story of princess kagui nominated for an oscar, said that the industry is trying to “meet with the absence of animators, poor working conditions and, perhaps, may be lack of creativity. " -Agency france-presse, “japanese anime-obedience in crisis, even as global popularity” (june 16, 2019). - Ayuma vatanaba whose beautiful children of the sea were shown by competition at the festival- concerned about visual "standardization" and lack of originality, not helping that "less and less animators can draw well manually". -Agency france-presse, “japanese anime activity in crisis, even as global popularity” (june 16, 2019). Japan will no longer be the center of the world animation of the field is possible, in fifteen years taiwan will be such a center. Hideaki anno, the creator of the evangelion predicts the death of anime, brian eshcraft, kotaku 05/25/15. Cartoons are the retention of black face from the minstrels. Samantha bi, racist road, full front with samantha bi (february 7, 2018); like qtd. In tracy, brown, “samantha bi reminds us that the fact that you are introduced up to the course and prefer racist in your childhood”, baltimore sun, (february 8, 2018). - This is like building a cathedral, where only a couple of seconds of animations are performed every day. - Jim bresnakhan of the interview with the director of rio 2, entertainment.Ie, april 3, 2014 - Do you like simpsons? Can you understand the episode about the dog poochie? There is every head of the network. You have creative people sitting at the event, and then came any head of the network. The executive director will say: “let, if the character is a little more, it’s a little more hip, a little higher today, a little more modern, a little like“ hey, dude, hey, wow! ” There was the beginning of the eighties. You had all this shit on tv, it was like smurfs, he-man, she-ra. Meanwhile, i worked on some of these [shows and it was considered exclusively all such drained, soul -who meets these leaders who come, and they also say: “we want the current character to be more funny, more aesthetic for young ladies, more, more, more. ” In private thinking, animation must be something interesting. Or it’s fun to look, do not give god with you, you should laugh at you. They want this to be comforting for children, so the child will be able to watch, smile happily and watch happily like a small drone between commercials of fruit. You can see as a rule, for so long they have been looking for, for these shows. Paul dini, batman: animated series, animation arena. This object makes it the most universal and obvious means of communication, however, developed to send an assessment of mass assessment. Walt disney, quoted in the opengl shading language (2006) randy j. Street, p. 411 - Animation offers the environment of stories and optical entertainment, which can bring pleasure and information to representatives of all ages around the world. Walt disney, as indicated in “cosi exhiet, explores the world of cartoons” jeffrey zupanich (august 2, 2007) in the digital era, kondri notes, this, no doubt, will not include the painstaking development of manually painted cartoons. “This it is difficult and complete interesting for artists, says conde, who visited dozens of anime studios, seminars and artists, exploring the book in the last eight years. "She is the main very energy -consuming forms of information funds."Entertainment society, do not always make a huge profit from the anime, what was the problem that motivates the study of conde; as he says: "how are items of clothes that do not work on a global?" The answer is that the producers are creating several episodes and severely monitor what is capturing -and at the end, as soon as the characters in the series become a “website in order to take part in the class, can earn toys through toys , games and alternative entertainment configurations. -The breaking of heroes and other segments of original cartoons. He adds: “gundam producers, when they showed the work created by fans, simply said:“ it could be what it is ”” - peter dizks: “why are japanese cartoons a global hit?”, Mit news combinite, (29 january 2013.). - Even when you can see the symbols of the color that are presented, you cannot see the faces of the people hired to follow the voices. Historically, white people made all the voices, including those terrible imitations of how terrible images of food should have sounded, that asians, black, latin american and indigenous americans. - Rudy gaskins, in “ensuring the diversity of hollywood reached voice acting?”, Salea blancaflor, nbc news, apr.03.2018. What it is necessary and forced by the characters to do everything you want, the trend was very free from the limit, and the rules. But the fact that it is remarkable in almost all of the different [cartoons] television programs that are now located, so they all have their own standards in stock and they adhere to them. And in my opinion, they are not produced by those that fall into the background - these are those who do not imagine about this idea that you owe your own requirements and boundaries. Suddenly something is possible, i think that the audience is still. Matt gruning, futurama ends: interview with matt gronin, part 2, robert lloyd, los angeles times, july 24, 2013. The erotic engravings of woodblock of the japan period in one of the earliest animated erotic cartoons of the roaring twenties (for that simple reason, of course, as soon as a moving photograph appeared, porn appeared with it). Therefore, if hentai and anime communities are flourishing on the internet and there should be sites dedicated to porn inspired by disney, it seems to be better that almost no one indicates that your purchase is such a great erotic. Clinical psychologist david lei, doctor of philosophy, author of ethical sex files for dix, confidently says that "the animated erotica was deep in the bowels for a long minute, mainly due to the fact that this is not understood from time to time." Cartoons are such that a number of characters presented may seem below the age of consent. “Although i can ask how exactly you order the age of a fictional animated character,” leh added in a digital letter to the glamor. - Nicole guppone, “why an animized porno-only porn you should think”, glamor, (july 10, 2017). - For some representatives of mankind, even the recognition of these desires is a kind of taboo, but this does not mean that there are no absolutely healthy and suitable ways to do this. The writer and therapist dr. Meg-john barker will say that if we strive to study these types of fantasies, “you need to choose and buy ways to test them that cannot be considered unethical or disagreeing.” You can satisfy all kinds of desires, because the next time! -Polses and scripts in animated films 18+ are not real. You really do not look at the guy who is fucked by a unicorn, because the help is not only a falsified guy, but also a unicorn does not exist! (No matter how regrettable.) I once told me that the porn tuning was never called a cartoon, and this made me think. Can animated erotica be a way to offer incentives for excitement to someone who is negatively affected by most living porn? Dr. Lei thinks so. “I had several patients with the history of injuries, who had their eroticism,” he says. “This is a good example of a variety of human sexuality and options for adapting our sexuality in order to meet our satisfaction of needs and personalities.” What is quite good! “For visitors,” says lcsw and certified sex -therapist melissa novak, “their very first memories of being turned on attractiveness and animals or snow -white white, and with animated piquant videos you will really receive [as an adult] those children's scenarios that you don’t know the person. ” - Nicole guppone, “why animated porn is the only porn you think”, glamor (july 10, 2017). - The housewives had to animize the flaw, the giant dragon, the speaking donkey , very human, like a princess, a gingerbread man, a puppet and so on ... In antz, most of the characters were ants.The big task was in fact in order to jump out of various characters and at the same time be able to force these gamies to speak together. Sometimes it is difficult in the list - when you anmate the human character, and at the end of the next day you may have to work on the dragon. For all the character, it took us several months of testing and practice, until our employees felt completely comfortable with the character. The funny thing when we all felt that we knew the heroes and we could look at the animated test and said: “this is not shrek. Shrek will not do this in life. ” Or "yes, this is definitely shrek." Raman hui in raman hui (antz, shrek) interview with joe tracy, digital media fx. - I also think, and these are very fundamental elements, such as an ornament and sketches, one thing is still quite important, then i found it very useful - it is to appreciate things around me more often. You will stay in the subway, looking around, obviously how this child is talking to your mother. In the situation when you think about the animization of the character to move like such a child, you will understand that life is amazing. You have all these natural, spontaneous movements of the character to your attention daily. To capture the rate of too great functioning: when you revive. Remember this plastic bag in the european beauty? Sometimes we consider people around all of us and studied movements and qualities. Please try, you will figure out that it is amazing. Raman hui in raman hui (antz, shrek) interview with joe tracy, digital media fx. - After the study, tezuka became a caricature on the entire work date and struck a great time with astro boy, about the boy -robot, who was saved by a sympathetic doctor. In 1963, astro boy became the first homeozoic animated animated cartoon in japan, giving birth to anime-intensity of a billion dollars. Tezuka created almost the most most of the most stable japanese cultural exports after the second world war. But at the end of the 1960s, people began to complain about the fact that the cartoons were rotten brains and teachers of the guys and began to ensure that the rules “without comics in the classroom. The tezuka animated television show, so a novel in the 1950s, became ridiculous in the 1960s. Tesuca answered, creating some of the most outrageously bright, controversial, painful, oriented on adult comics, ever. - Anne isi, “medical manga will come to america,” cmaj. 2009 march 3; 180 (5): p. This is a new industry. He has restrictions: he does not make skin, hair and clothes too well. `` Remove the skin, hair and clothes, and you have crabs and insects. Tim johnson of ants, bugs and rugs: the story of duel films about mistakes, michael fleman, laprens-sandigo, october 2, 1998. - The animation itself is a artistic form and in this, i believe, non-stop is enough clarification. True animation exists without any background, or some color or any sound, or anything else; it is in your hand. And you risk taking a hack and turning over. [...] How the animation works, so that is what the user has a series of drawings that move. The patient does not even need to have a camera, you understand; animation exists without it. If you need to expand your consumer, make it more colorful or add music, then you put it under the camera in one frame in one bottle, and in the end you start this art at the same speed that you will turn over and then you have an animation. If we are talking about for the most part, it depends on the soundtrack or only on music, or color, graphic design or anything else, in order to support itself, it is not unique for animation. Chuck jones joe adamson, witty birds and well -drawn cats: an interview with chuck jones [1971], in chuck jones: conversations, ed. Chuck jones and morin furniss (univ. Press of mississippi, 2005), 63. - ̇ this is excellent. This takes a solid amount of time, and at the same time you have any luxury that you do not have in active actions. You will be able to provide personal movie stars. Especially if you are analogues, like me, for those who are a freak in management, animation is torture and heaven at the same time. I also worked as an epic designer, so i had to cut weapons from a nut and toothpicks. It’s the same as doing the most the most popular cool toy soldiers. And consultants pay me. William joyce, interviews in the middle of attention: “epic” author/director william joyce, dina gahman, ssninsider, may 24, 2013. The sales record in 2017 in the amount of 2.15 trillion ien ($ 19.8 billion mainly through foreign demands. Export of the anime -release of the films since 2014 - partially helping the sales of streaming giants, such as netflix and amazon, and before still do not demonstrate any signs of slowdown.- Emiko josuk, “japanese animation: from disney east to the global industry worth billions”, cnn, (july 28, 2019). - Strong advantages of the animal industry of japan are limited the coincidence between the manga and the anime, as the reviews of yana kondri, the author of “anime: the soul of japan” say. ”The creators used comics as a documents for testing for their heroes and characters. This was often the secret of the success of anime, ”conddy said in a telephone interview. - Emiko josuk, “asian animation: from disney east to the global industry worth a billion”, cnn (july 28, 2019). - In the very beginning of the 1980s, according to mizuko, the editor of the fandom “improveed culture” in the connected world, which distributed anime video founded in japan who distributed the video anime: fandom culture: otaku in the connected world. " - Emiko josuk," korean animation: from "disney east" to the global industry worth a billion ", cnn (july 28, 2019). - After often japan the economy was once a mister in the 1990s, the country sought to rename its forces into a global business survey to an exporter of unique artistic culture. For sushi.-Emiko josuk, “korean anime: from disney east to the global industry worth a billion”, cnn , (july 28, 2019). - What can be considered as a restriction (work only in the animated studios of walt disney) was actually expanding incredibly for me. Due to the personal growth of disney so many best artists in animation in their walls since the time i have been here. The world of animation is actually a rather small family, and there are so many animators that i know in ordinary studios, came from disney or are going to come here. Constant influence for the limits of our studio walls. Disney himself always develops and constantly replays itself. The studio of today is not like the fact that it was in the 70s, and nothing will be in 10 years. Glen kin, an interview with disney animator gleno kin, line bourt - Disney did not have a monopoly on wearing animated folklore videos for marketing purposes. During the heyday of soviet animation in the 1970s and the 1980s, cartoons, which seemed to follow folklores, were slightly changed to provide messages in accordance with soviet ideology. They did not exclusively criticize capitalism, but also depicted women as asexual and selfless, and called for cooperation, neighborhood and non -power. National minorities in russia were depicted as retarded and needed the leadership of russia leading the soviet republic. For example, ukrainians were shown as relatives and strange, living on bucolic land. Colorful clothes and tasty products were attributed to them, and besides this, the ability to sing and dance. However, they were still considered in what way, which are held on the budget level, they believed in perfumes and did not understand our life. The fall in the independence of the soviet union and ukraine did not change the situation to the east when it comes to animation created in the russian federation. Folklore ribbons are still shown by ukrainians as bucolic and musical. Women still sacrifice for the sake of others. Any animation, critical russia, even if it is based on folklore, instantly dissipates from the market. - Natalie kononenko “politics of innocence: soviet and post -soviet animation on folklore topics”, american folklore magazine, issue. 124, no. 494 (autumn 2011), p. 272-294 -The 1970s and the 1980s saw the heyday of soviet animation. Wonderful cartoons were made that were super -quality, they won many international awards. For example, shake skaskok from iuriinorshtein's shazka skazok (tae of tales 1979) received awards in germany, france and canada soon due to its exit. As macfadyen showed (2007: 183), the film was called the “greatest animation film of all the eras of the film industry” at the 1984 olympic games in 1984, and the international committee in japan declared it the second greatest film ”with another creation of norshtein, ezhik v mistle ( hedgehog in fog 1975), which appeared in the first place. Both well -known films "norshtein" declare access to folklore. The hedgehog in the fog watches porn in its introductory credits, in which building materials say that it is based on the folklore hall and the story “tales watching porn in porn title.” “Kononenko,“ innocation policy: soviet and post-soviet animation on folklore topics ”, american magazine folklore, volume 124, no. 494 (autumn 2011), p. 272-294 - Two decades ago, there was no brazilian animation industry about which they talked.Ten years ago, a small handful of persistent directors to fully tried to get international fame and impact on television, festivals and boxing offices within the russian federation and around the light with low budget and great hard work. Today, the brazilian animation flourishes on the floor of the fronts, and in other cases, even ahead of the living action in plan and ambitions. In 1951 the first in the history of the animation function of brazil “amazon symphony” was released; since then, 43 additional capabilities of the tooon belong to your rows. One feature of every one and a half year is not a thing about what to write to the house, but, according to martha machado from the brazilian animated house, otto desenhos, 19 of such photographs appeared over the past five years, and at this time 25 more functions appeared in production. The field is jamie lang and john hopwell, “brazilian animation demonstrates the exponential growth of money and ambitions”, variety, (2018) - “Most institutions”, explains leila burdukan, a former executive manager in cinema do brasil, “culture ministers, minister of culture of brazil and the government of the states have special support for animation. Animation is a painstaking activity that provides work for young people. ” - Jamie lang and john hopwell, “brazilian animation demonstrates the exponential growth of money and ambitions,” variet exaggerate too much and just put things on the screen because you are able to place them. For me, the most basic is the characteristic: to know them, study them and value them. The effects simply allow the player to portray the characters and brightly, as far as possible. Stan lee, nothing cartoon in the field of comics, louis r. Karlozo, chicago tribun, october 3, 2006, - We were firmly knowing how different x: tas: tas belonged to women. Firstly, the series existed because the president of fox kids network margaret losh started it. In addition, everyone on the creative side worked for several years in the television animation business, and we are tired of carrying it with numerous stupid, limiting rules, one of which was in the series “adventures for teenagers”, the audience of a lot of boys, and they will not watch heroes -women. -Erik lewuld in interview: x-men: tas story editor and writer eric lewuld on x-men: tas book from taimur dar, the beat (10/02/2017). - “I think that [adult studios] are afraid that cg has now appeared on the market, since this will affect which they cannot do it themselves, since we do not have it there are creativity or skills, ”says darron by the field“ if they hire alone, they do not want to set a budget or give it the necessary financial support. ” - Regina lynn, “animated porn makes movements”, wired, (01/12/06). - Their first function, sex agent - 0069, took almost a year. But in our time, the brothers say that they can make a function in about four months - at the same time when the studio is necessary in order to collect dvd on the internet. Create any environment that someone wants in a matter of days, ”says tal. "The more willing we practice animation, the sooner we get." - Regina lynn, “animated porn makes movements”, wired, (01/12/06). - Shingo adachi, an animator and designer of characters for sword art online, a popular anime-television series said that a lack of talents is an important constant problem- from year to year, after almost 200 animation series are made in japan, performed in japan, and qualified animators are not entirely enough. Instead, the studios rely on a large -format pool, practically unpaid freelancers who are passionate about anime. They are the one who performs all individual drawings as soon as directors of the highest level invent the pick -ups, and the “key animators” of the middle level draw important frames in each scene. For the drawing - less than $ 2. It would not be so bad if every artist could release 200 drawings per day, but one drawing can stretch for more than an hour. This is not mentioning the careful attention of the anime to the details, which, in general, are ignored by animation in the west, like food like food, architecture and landscape, which can take four or five times longer than approximately. - Eric margolis, “the dark side of the anime industry of japan”, vox, (july 2, 2019). - According to the japanese association of the creators of the animation, the animator in the land of the rising sun earned 1.1 million on the eye .. Yen (~ 10 thousand us dollars per year in 20 years, 2.1 million yen (~ 19,000 us dollars) over 30 years, as well as for 60% and 50 years. The poverty line is japan - 2.2 million yen. - Eric margolis, "the dark side of the anime -industry of japan , vox, (july 2, 2019). - The structural inaction of the anime return to osamu tezuka, the creator of the astro boy and the "god manga". Tezuka was responsible for the endless catalog of innovation, and precedents in manga, japanese comics and anime in the window.At the start of the 1960s, when the internet does not want to take a chance in the animated series, tesuk is very lacking in his show to bring the structure on the air. “Almost, tesucu and his company were defeated for this show,” said michael crandol, associate professor of the department of japanese research at the leiden institute. “They planned to make up for the loss of costumed astro boy and figures and goods, branded sweets. ... But because this this plan of the conversation worked for tezuka and broadcasters, it became the status -kvo. ” Followed in the footsteps provided, allowing to earn a living wage. Diane wei lewis indicates in a recent study that girls who often worked on animation from the house were especially vulnerable to use and pay even less. The precedent of k. Income is divided between television networks, manga publishers and toy companies. “Material companies earn money to the connectedness of merchandising,” said krandol, “but the budget for ordinary animators is separated.” “These prices are so ridiculous, because they are still based on what tesuka came up with,” said terloe. “And then the drawings were widely simple ... You had a circular head and spot eyes, and it is likely that you will be able to realize an intermediate time in ten minutes. I could earn a certain amount in achieving the goal of the pace ... But the chinese animation, [now] one drawing is so detailed. You worked for two dollars for an hour. ” - Eric margolis, “the dark side of the anime industry of japan”, vox, (july 2, 2019). - I am worried if we continue to animize the same with the large films that go out of the studios, become obsolete from the standpoint of studios, that for all this there will be "similarity". I am worried, observers will not find them fresh. We have accepted a more fragile animation style for what i did in the extreme film of the ice age. Steve martino, snupy and charlie brown: the film “arachis” - an interview with director steve martino, kassam ray, haygis, (october 30, 2015). The scenes that we are building simply could not be done without using digital rendering. Rick mccallum, waiting: the story of a non-virtual life of star wars: episode i- ghost, jonathan bowen, p. 7 i prefer to work on the show, aimed at the senior audience. Abby terkule, president of mtv animation and creative director of mtv, was the first pioneer in north america in the field of adult animation. Its network continues to harvest and demonstrate the type of programming that this genre made this genre both within the country and abroad. If we talk about the creative process, abby emphasizes that “for employees the creation of animation for adults in some way is akin to the creative process that is experienced in music. This provides our writers and animators with the opportunity to experiment with their different genres of art and come up with new methods and formats. Returning to the early days, it began as much as simple as spray of paint on the mtv logo. ” - Sean mcelinnan murch, the main business of adult animation ”,“ animation world news ”(july 1, 1998). - I think that the animation has a tendency to make you a little arrogant. You create everything in the world, you think that the victim has answers to many, etc. So, i think that this is a final challenge for animation managers - a living action on which you do not have this control. Kevin manro, director kevin manro, reviews the imagi's tmnt franchise, josh armstrong, animated reviews, august 19, 2014 - Whereas the south african animation community is large compared to other countries in africa , this is still not enough from a global point of view. According to estimates, the country has about 20 established animation and vfx studios, almost always small (from 2 to three people) as well as medium size. Several larger studios, where employees from thirty to 35 years old dominate in housing, vfx and long animation sectors of characters, but smaller studios are profitable, specializing in commercials or motion graphics. - Karen raugust, “animation in africa: going beyond“ price price ”(november 20, 2008). Egypt also leads a significant case in the field of animation, with very 50 animation studios, according to mohamed gazala, animator, animation historian and teacher in a mini -educational institution in egypt, one of the relatively a few institutions anywhere that animation programs are popular. Its films include carnival (2001), crazy works (2002) and hm hm (2005). Gazala also becomes the director of asifa egypt, which was formed in cairo in october 2008 as the first chapter of asifa in africa. - Karen raugust, “animation in africa: going beyond the boundaries of the“ inexpensive ”option,” (november 20, 2008). - Abroad of south africa and egypt, animation production is usually limited by several small studios and independent animators in such countries, such as mauritius and kenya, working mainly in 2d -adumisions, along with some work flash and maya. A part of their results consists of a certain number of short films and commercials, with an extremely limited number of longer interesting content. “We work a lot in kenya, nigeria, malawi, because very limited animation resources are available in asian states,” says forrest. - Karen raugust, “animation anywhere: going beyond the“ loyal value ”(november 20, 2008). - In developed france, a long-term of interest in japan mixed with a strong culture of the dessina gang, or french and belgian comics. “The current popularity of manga [there] is usually traced to the popularity of anime on french television inside the 1970s and 1980s,” gueydan-turek reports. This was especially limited by the blockbuster manga and encouraged “simplified and distorted opinion about japanese culture”, where important nuances prevailed, like kawaii (culture of the beauty of forms and some violent aesthetics, such as cage, “over artistic and literary nuances of more multi -layer graphic works of punishment gen gen. "A series of cosmetics of manga, beloved in france, was a sweet house of chi associated with cats. Nevertheless, gueydan-turek indicates the movement of the manga la nouvelle as a less main alternative that contains japanese manga (authors of manga) and artists franco- belgian bande dessinée in a hybridized approach to multiple cultures. - Christina ro, “did the manga form how the world sees japan?”, Bbc, (june 12, 2019). - If the manga acted as a drug for further international links to france, and as an alternative to the french cultural presence in algeria, it provided the counter to the perceived american values in the russian federation, where sailor moon became extremely popular. The manga spread in the post -soviet era, which helps a certain educated youth look for asylum from the restrictions of communism, similar to the excess of capitalism looking for money. This was the main part of the new otaku subculture (japanese men who love manga, anime and computers), which provided a “protective niche for russian youth. - Christina ro, “did the manga form, as the world sees japan?”, Bbc, (june 12, 2019). -Any story is possible in animation ... I hope someone will try to listen to a story that is completely new ... Not the one that looks like some other scenario, we saw. Tom ryugger, tom ryugger, laura, animation insider, (september 3, 2015). - The animation drawings were presented to eliminate the full decade as soon as george meles showed in 1896 objects can be present in motion through single exhibitions. J. Stewart blacks in 1906 of an animated mela experiment with comedy phases of funny individuals followed from the creative works of winsor mcake, who shot from 4 thousand to 10 thousand separate linear drawings for many of his three single films released from 1911 to 1914. Half a dozen years after 1914 with technical simplifications (and patent wars), including tracking, printing and celluloid sheets, animated cartoons became a prosperous commercial enterprise. - Scott simmon, “notes on the origin of american animation (1900-1921)”, the library of congress. Animation may not understand what they have. This requires ugly work. You want to devote your existence, but i believe that, in principle, anyone can learn how to make sports and anam at a competent level. I do not believe in controlling your dreams and a lot of fabulous dust about art. It seems to be fun, but a loan is repeatedly, it is not fun, and you still have to buy. Dug tennapel, “conversation with 'armikrog”/' earth jim 'creator dug tennapel, ”ben mitchell, skwigly: online magazine“ animation ”(september 30, 2015). -The process of outsourcing animation began in the 1970s, when the three main american networks-abcs, cbs and nbc-shaped saturday morning cartoons, such as scooby-doo] and fat albert. These shows were extremely popular and american production studios tried to satisfy with the very same way demand for more episodes. “They had nothing else but for outsourcing production,” says nelson shin, founder of seoul akom production, which animated simpsons for more than a year. Korean artists were technically penetrating and fast, and by 1990 -m years, animation world magazine calculated that a third percent of the world production of animation were made in korea. Creating service for fox, dreamworks, nickelodeon and cartoon network.“Not most people have heard about close relationships among the korean and american animated production,” shin says. The only story, he says, comes if you pay your attention to the loans of the show. - Kate a merchant, “new fashion of animation”, “atlantic” (may 20, 2016). - Kuvahara showed them how drawing in the window will allow the intermediate to create a sequential quality of the line every time. He showed them how the whole digital digital process will facilitate the revision process, which will do so, so that someone -libo from korea or the united states could open a video and make adjustments. He demonstrated as a nuisance, with an eyebrow happens in just a second. The field "how to move a large performance as a sympsons to another production pipeline?" Kuvahara says. “If you have made a huge variety of episodes in a certain way, it is difficult to adjust all the moving parts.” The animators here, like their american predecessors of animation, painted translucent cells, which were then painted. In the 1990s, korean studios moved to “ink and paints” in digital form-they became scanning lines and stain them with the help of the program. Today, the correction of shades in the scene means several clicks, and not to redraw everything. “When people dealt with the paint, it was like:“ why should we stop drawing? ", - Says kuvahara. “Now few are able to conceptualize the need to return to paint.” - Kate a merchant, the “new era of animation”, “atlantic” (may 20, 2016). - We were forced to anam them, then so that they always felt like flesh and blood, but most importantly, you should believe that they had souls behind their eyes. - Lee unsh, “the history of toys 3: interviews with the director lee unkrich”, daily telegraph, (july 8, 2010). - Trouble, with animation today is that our organization has forgotten the basics. Each animator in pixar can still draw. Good animation is caused by craft, but not tools. Steve williams, steve spaz williams, sheridancollege.Ca - You must make the same decisions that the director of the living action was to be made. All that place the camera from where you see the emotional tone of the scene, plus to answer any ambiguity about the design of costumes, weather and color, as well as all numerous elements included in the creation of the scene. We are there at every stage of the path from the very first design of rude characters, and earlyoskading to how loud the steps of the beast are usually loud, in that case it goes along the marble floor. We past the process from the beginning at all. Kirk wise, “interview:“ beauty and beast ”, director kirk waise, zones of large films (february 2002). - The animation does not look like other media-freezers, due to the fact that this is so in order to use the adjective, global adjective, sometimes vaguely used. A high painstaking process underlying the production of animation, which means that work is very often divided everywhere and even continents. Animation, which is easier to duplicate and gives less local context than a living drama, also just travels. The key basic audience up to 9 is happy to watch cartoons, in whatever place they flow. These main strengths of the genre remain, but this is becoming an increasingly complex industry for firms, since more intense competition in the field of broadcasting has changed their financing model. The corporate structure of companies operating in business varies from the largest media conglomerates in the world (walt disney, time warner and viacom inc.) To small companies that make up the equipment designer and the latest software package. - Tim westkoott, overview of the world animation industry, creative industries magazine, volume 3, 2011 - issue 3, pages 253-259 published online: (january 03, 2014). - Approximately 15,000 young jamais will benefit from training, digital work and investments in seeds to raise the digital and animation sphere, in the country as a result of a loan, in the amount of 20 million green us youth employment in the digital and animation industry, approved today by the board of directors of the world bank. According to the minister of jamaica in science, technology, energy and prey, julian robinson. “Our strong national orientation in the current realities to mobilize a significant creative and entrepreneurial talent among our youth to obtain our path into a“ cloudless future ”. International companies are increasingly considering jamaica as a country according to wishes for outsourcing animation production.For the purposes of its “vision 2030, yamaika, the government considers the sector of information and communication (ict) as a playing paramount role in the transformation of the country over the next twenty years, so that yamaika is also a consumer to remain a consumer to also be a consumer in order to become a consumer to be a consumer to be a consumer to be a consumer in order to be a consumer, in order to be a consumer, to be a consumer, to also become a producer of digital resources and content. This initiative headed by the government is devoted to providing conditions for new talents to get new skills, find good and high -quality work or become entrepreneurs, ”said sophie sina, director of the world bank in the caribbean. “In order for the technological sector to become an engine for growth and employment, this requires the right atmosphere with the possibilities of worship and the right partnership between the governments, the private sector and youth,” she added. World bank: “about 12,000 jamaican young people who receive crooks from the digital capabilities of employment” (july 18, 2014). - The film industry was and remains almost important cultural and creative business to uzbekistan, including animation paintings. Cartoons are recognized as a complex industry playing the most important educational role. Numerous sociological studies argue that advanced cartoons and anime are able to not only influence the behavior of the child, but also affect the formation of his/its worldview. Unesco, “unesco supports the development of animated films in uzbekistan”, (11/19/2018). - Everything is made on the internet if you are given an unlimited amount of time and as much as you want money. And this would not look like a book that would not have preserved the same emotion as the wonderful paintings that chris illustrated. So i do not think that it would be just as true for the book if it would have been done live. Robert zemkis, “tom hanks and director robert zemkis discuss“ polar express ”, rebecca murriri, about entertainment. Fred patten, "anime" market ", the world of animation news (first day of july 1998.) [Edit] -" New -york times ”on february 1, 1998, on domestic japanese animated comments to its wide range, but emphasizes that“ animetry strictly refers to ”. Adults “japanese animation ... Hard, destroyed in the battle of anime ...“ Poronation ”, like some of the most fermented noise with western women, from college girls to princesses of science fiction, are sometimes called in the“ united ”state ... Animetry is all violence and intimacy ... ” Choose the samely belongs to one of the most popular stars of cartoons for independent television of japan, robot cat dramon, like “meagerly dressed”; exclusively as heroes of the animation that are laid out in public in the absence of any pants. The office function of princess mononoka: "this is hardly anime ... Such a step is not controlled by the effects and not controlled violence." Mike lazzo, vice -president of cartoon network programming, assured the public in usa today, december 18, 1997, that anime is not shown on american television. “Japanese animation is so different from what comes here ... It is far from more acute, adult and cruel. Anime is not too based on history ... History is hard to follow. ” When it was noted that the cartoon showed speed racer and voltron, both series for juvenile adventures released in japan, lazzo said that "not a single show is not for the style of anime." - When the first anime genre videos appeared in 1990-91. By mail and direct sales in stores of special comic book fandom stores, in this market they enjoyed that these were the animated equivalents of films such as the terminator and disappear, full of explosions, blood- '' n-guts, a dialogue for adults and a often short naked scene of a risky one. Somewhere in 1994, the anime video expanded on the main internet with the mass files of files and became available to the great public, which automatically suggests that any animated cartoons are safe for children. This leads to the need to prevent recommendations on the video, such as “contains violence and nudity”; “it contains brief nudity and mature situations. It was reported at the discretion of adults and "preferably for mature spectators." But they have not yet included obvious sexual names. The first japanese original animated video (oav) was the scientific and fantastic drama of dallos, released in december 1983. The third release of oav, february 21, 1984, was lolita anime i: yuki but kurena kesho * shojo bar kay (free translation, raspberry cosmetics in the snow * punish the young girls).This is a half-hour video, at first in the short series “erotic anime wonder kids”, consisted of several 15-minute dramas of rape and sadistic sexual torture/killing of schoolgirls, whose spirits are precisely terrible supernatural revenge. Of the seventeen oav, released in 1984, six were “common”, and eleven were pornographic. In 1985, after the viability of the market of direct videos was established: for anime adventure of actions, the total amount amounted to 28 titles of action -adventure only for the opposite eleven titles of porn. The japanese market over oav grew a normative way, over the past decade, with the exit in 1997 162 “general” names and 62 erotic names (including some several volumes of series) approximately in the average ratio. - None of the distributors of the anime are ready to discuss sales, but john sirabella is a striking that anime for adults is from thirty to 40% of the general anime market. “If the total market is $ 100 thousand, this means that adult videos sell more than 30,000,000 up to 40,000,000 bucks a year.” This is disputed by the cpm sales director, mike paskutszi, who, according to estimates, can be tasted only from 15 to twenty% of a single market. “Keep in mind that there are several other anime -video -lizers, like viz video, pioneer, animeigo and urban vision, which do not have a label for intellectually developed. They probably have several separate names that require a mature audience as a result of r -lewl, but they are actually not in the field of adult trade. ” This may be a step in perception regarding what is an anime market for adults ”, excellent from a single market. Will there be an unpleasant teenage comedy, full of humor in the spirit of college, such as raids of panties, looking into the shower souls of a female gim and awkward, but does not have obvious sex, is considered an adult or as a general sale? The separation line between the general anime and the anime for adults can be vague, there is a certain market for 18+. All anime -companies produced for this market agree that sales are strong and grow as direct results of the number of available names. There are no signs of one or another level of saturation. While production in japan is 50 or 60 new names per year, there is a potential for unlimited growth. Many, although not all, from the caricature video of adults are different from easy eroticism to obvious pornography. However, it seems that there is no wide correlation between the anime-pornographic popularization and the cartoon market from the american manufacturing deer and sex films on the internet. Until now, the overlap is insignificant, and the american common erotic video/tv does not seem to want to act in the lod of japanese animated names. - Fred patten, “anime” porn market, animation news of the world, (july 1, 1998.). “Anime and philosophy: wide eyed wonder” edited by josef steiff , tristan d. Templyn (2010) [edit] - Since the 1960s, japan has created a significant package of cyborg narratives in manga and animation films, especially in works aimed at children and adolescents. Of the early examples of manga, it can be kazumas hirai and hiro kuvat 8 people and shotaro ishinomori kiborg 009, and their subsequent anime versions, the main character is usually cyborgen against their will or desires. It positions them as victims, regardless of how they are physically strong. Their sense of inferiority and vulnerability is usually the basis of these narratives, subtly or obviously. Female cyborgs are equipped with remarkable physical strength, coupled with a voluptuous, erotic body (for example, major motoko kusanagi in the original anime of masamune shirow and mamoru oshii oh about ghost in the sink); and similar powerful female cyborgs also almost always attribute the roles of defenders or supporters of incompetent and unsafe heroes of men. Although some female cyborgs can have characteristics that indicate violation of the usual boundaries of the floor, this transgression is often limited and undermined by other elements of their image. As kumiko sato notes in the private essay: “as no information technology,“ no feminism and japan ”were changed,“ female cyborgs and androids were domesticated and fetishized into the maternal and sexy defenders of the male hero ”and thus“ their functions usually decrease either the maid of handle either the goddess obediently serves his beloved masculine master, that reason of its warlike nature. ” - Christie barber, mio bryce and jason davis; ch. 2, “creating mila> - Although all cultural products, including anime, are inextricably related to some philosophy when the japanese cope with christianity with their anime, this is more for the literary effect than for the filizophical arguments: symbols, symbols, more than syllogism is what most japanese anime artists do. https://mygirls.me/ Sex: Male